My practice sits at the convergence of design, technology and science, investigating how unknown data (noise) might build future public forums. I examine the hidden artifacts between physical and digital territories and their connection to our own neurological and cultural limitations when communicating with each other.

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I do this by producing immersive experiences that recycle hidden tech processes and platforms to produce eye-burning, ear-splitting and chest-pounding combinations of images, sounds and haptics – of noise. By tuning out what we think we understand, we navigate and make sense of this noise together, flattening out our pre-set behaviours and transforming future collaboration into horizons of possibility.

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This art practice sits adjacent to my extensive career as a creative director, conceiving, designing and delivering creative solutions for international tech companies, the music industry and cultural arts initiatives. I do this through my own client relationships, as a creative consultant for design agencies and through short-term design contracts.

I am now looking to collaborate with clients that bring together these two worlds, developing immersive experiences that combine thought-provoking experiences with commercial communication.